I love Cory Doctorow's vision of the future, where the idea of people helping each other becomes the most important thing, not gaining wealth and possessions. In all his books there is a message about that, but this was by far the most overt and clearly thought-out one. He carefully presented a path to that future. I hope we take it, and I hope we embrace it more completely than the world does in his story. We could do without the clashes and strife accompanying the birth of that better world.
Given recent events though, I think he may have accurately gauged the strength of the forces against it. Recently I volunteered to build a website for the Sunshine Coast Community Halls.
It was a pretty cool experience. There are a lot of amazing people doing wonderful things. However when I listed the Coolum Community Centre I also mentioned the fact that the hall had been moved once by the Council -- a sore point with a lot of people as it was moved to make way for a MacDonalds (which I didn't mention) -- and that now Council is going to move it again, far away from its present location, which has hundreds of locals annoyed. Bear in mind that this was just two short sentences in a long page of description about the hall, its history, and the people and their activities at the hall, just as I have done for every other of the twenty-odd halls.
Well, the Council was angry and I think threatened about it, so I was asked to remove the offending two sentences, which I did after querying whether they really wanted to draw attention to it like that. Then I had to remove the entire page about Coolum. Coolum was cut out of the festival. It made the Council look very petty and mean.
Because I was reading Walkaway at the time, I was struck by the similarity between how standard power-structures act in that story and how they were acting in reality. When challenged, no matter how meekly, they are met by ridiculously disproportionate force, so that small disturbances are utterly demolished. And then the authoritarians are genuinely puzzled when nobody trusts or likes them.
When I was a child growing up in the bush I liked to go walking kilometers to some of my favorite places. I remember on one occasion trying an experiment with black bullants and red bullants. I approached the black bullant nest and waved my arms. Some bullants would aggressively move toward me, rightly seeing me as a threat. The black bullants were quite mild and would only chase me for about a meter before realising I wasn't a threat and turning around to go back to their nest. However the red bullants were much more aggressive. They would chase me for about 3 meters from their nest before figuring I wasn't a threat. I've often wondered since, whether we white-skinned humans are like those red bullants: far too easily provoked to insane overreaction. Perhaps it's why we've so successfully populated the Earth. If so, that strategy is now endangering us.
Oh, and I've begun re-reading John Wyndham's Trouble With Lichen for the umpteenth time. Wonderful story. I'm thoroughly enjoying it again. Compared to Cory Doctorow's story it is so polite and understated. Interesting that both books are about equally world-shaking ideas, but told in such different ways.
I haven't been doing much writing myself. :(
Two books to finish and no writing getting done. [sigh]
Blocked on one, still writing out ideas and bits and pieces for the other.
I've been thinking about doing some programming on some ideas I have for artificial intelligence (AI). That might help one of my stories (it is about AI).
My former boss Adam (he was a good boss) has a podcast about Game of Thrones. Since he's the one that handed me the first book when Brent when to Utah in 2012, I started listening. (The exchanged was more or less like this: 'Brent's going to Utah. You're going to go a little barmy. Here, have something to obsess over that's super long and super detailed so I don't have to fire you because you can't focus.' 'Uh. Okay?' Weekend after I read the entire book at Crown List, I asked for the second book. And then I bought the entire five book set for my Nook. Yeah. I have a soft spot for these books because of that.) It's been really fun to listen to Adam and his fellow nerds talk about Game of Thrones.
I have a horrible miserable wretched sinus infection. Not bacterial, I'm not having the usual bacterial issues. Meds don't tend to do much for me anyway on a sinus infection (unless it's something to help things drain) so I'm waiting to see just how bad it's going to get before I hit the doctor up.
I think I found my copy of Adobe Illustrator and I did find my copy of Paint Shop Pro. (Super excited about that second one because PSP does much better on a complete color swap than my copy of Photoshop (the original 7.0, yo)). Hope it still work on Win10.
Brent and I have also been watching Battlestar Galactica. We've gotten to the fun part of Apollo versus Apollo! MUAHAHA.
Yesterday bluemeridian posted a batch of MCU and Wonder Woman recs.
"‘Wrath of Khan’ Returning to Theaters for 35th Anniversary".
"Orbit Turns 10: Take a Look at a Decade of Milestones". [The B&N Sci-Fi and Fantasy Blog]
Via misbegotten, the Cincinnati Zoo has successfully reunited Fiona-the-hop with both of her parents. Adorable hippo pictures ahoy!
From 2014, but via Twitter today: "BitchTapes: American Protest Music". [Bitch Media]
"The Fourth Messenger at the 2017 New York Musical Festival". [ViennaTeng.com] (Includes purchase links for the soundtrack and script.) [ETA: Refers to a concluded run, not an upcoming one.]
On Atlas Obscura:
--"NASA Just Released Hundreds of Historic Space and Aviation Videos".
--"These Endangered Pygmy Rabbits Survived a Wildfire by Heading Underground".
--"Why It Took Scientists So Long to Figure Out Where Babies Come From: Human conception was still basically a total mystery until as recently as 1875".
--"The Odor ‘Wheel’ Decoding the Smell of Old Books".
--"The Dormouse-Fattening Jars of Ancient Rome".
--"People in 1920s Berlin Nightclubs Flirted via Pneumatic Tubes".
--"Found: Never-Developed Photos of Mount St. Helens Erupting".
--"These Maps Reveal the Hidden Structures of ‘Choose Your Own Adventure’ Books".
On Mental Floss:
--"The Golden Girls Are Starring in Their Own Version of Clue".
--"This Illustrated Periodic Table Shows How We Regularly Interact With Each Element".
A less ranty (or so I've tried) and more simple notification from my last post... that can be C&P / Link to this / whatever....
Over the years many fen have had reasons to remove their fanwork from online, or to seperate their identities (even their fannish ones) from that work.... maybe they are embarassed by their old work, maybe the law in their country (or one they moved to) considers some of their work (eg: chan) to be illegal and they fear for an Ex finding it out and using it to have their children or job or even freedom taken away, maybe they want to file off the serial numbers to turn it into pro-fic...
Pre-AO3 (and even after AO3) many fen had their own websites, and/or used small fandom or pairing specific ones, and they may have protected the site from being archived into, for example, 'the Way Back Machine' (Archive.Org) by having a simple Robotos.txt excluding them. Recently, Archive.org (and I have since learned several other 'archive' sites such as Archive.is and Webcite) have decided to ignore these Robotos.txts. I was horrified to find that tens of thousands of pages from several domains I own were suddenly public on these websites.... not just all our fanfics in entirity, but tons of personal, professional, hobby related and original-creative works.
As for Webcite, I understand its purpose, but even forFanlore, there is NO REASON to use Webcite to archive EVERYSINGLE STORY on our website (probably as many words or more than all of HP series canon itself) just to provide a refrence that it exists - so if the archival sites have violated your robots.txts / TOS, better check that no one has misused Webcite, Arhcive.org. Archive,is, etc to copy all the work you may have had reason to take down or remove old versions that had your name on them. Fortunately, Webcite recognises archival of an entire cite and of certain types of creative or personal work doesn't belong in their archive and you can request it to be taken down if someone has misused their service as a way to keep copies of all their fav fanworks against the creators' wishes.
Please Alert your friends/reading list about this insensitive and illegal violation of personal space/wishes and legal copyright, so that if they took their work down, and wanted it to stay down, they can take action to remove it.
I was expecting The Archive.Org to be backlogged and slow with this, but I am rather pleased to say that if you send a Take Down Request to them, they are not that slow. It was just a few days before I got a reply and the reply says that all pages should be removed from the public within 24 hrs. ALthough I am pleased this was addressed promptly, I am still pissed that they did this in the first place.... if they felt Robots.txt didn't work for archives, they should have created and agreed to follow an 'archive.txt' and then provided a transitory time (say a year) for website owners to alll find out word of mouth about this and how to impliment it.. In comments on DreamWidth, I've included a copy of my Take Down notice to Archive.Org with personal info removed, to help anyone who isn't familiar with how to fill them out.
Some of the other archive (Archive.is etc) are acting like they are above international laws, and I'm starting to look at other possible avenues to deal with it (EFF, lawyers I dunno). If you have experience with this or similar archives that could be of help, please let me know!
ADDITIONALLY, anyone affected by this should be aware that FANLORE, which claims to be about, by and for fen, is disrespecting fen, by using these illegal archives on their wiki. For example, TELANU left Snarry fandom and removed her work from online. THe Fanlore page states she removed her work from online at the very top, and then in the info box right next to it, it links to Archived links that have copied her entire site! Demonstratingly, they don't care what her wishes were, just that they can still access her work, in entirity, without knowing if it humiliates her, endangers her/her family, or dashes hopes for turn it into profic. There is no excuse for ignorance when the fan's wishes are spelled out and Fanlore and its editors are all well aware of it!
In my case, I had it written, on the Splash page and on the index page of all the stories/artwork the TOS ever since Intertexius first opened in 2003 that NO MATERIAL WAS TO BE ARCHIVED ANYWHERE and that if we died or something, someone we trusted had instructions on how to either maintain the site and/or where and how to archive it- furthermore, we are easy to contact if someone really felt something deserved archival or they wanted to use it in a presentation etc (And respectful academics HAVE done so, and I almost always agree to terms we are both happy with). It wasn't even just screen caps of the splash page or an index of the stories to show what existed on the site/dates- there were links archived copies of EVERY SINGLE PAGE- every single story in entirity, all the artwork created both by us and our fans- EVERYTHING. Sure, some of it technically is JKR's but its mixed up with a lot of original stuff (eg: Bernice the wandering rock) and those things do belong to us and fall under OUR copyright. For all their own faults, as an editor on wikipedia since practically forever, I have to say that overall, people on wikipedia have treated me better than those on Fanlore- for example, when I myself uploaded my own original photos for use in an article, the other editors working on that article double checked with me that I understood and was OK with the GNU/CC terms given that my website prohibitted copying/archival, instead of just, YAY STUFF, *TAKE IT* and then goes to my website and takes the rest of it without permission, because, why not. In comparison, Fanlore just strikes me as a hungry monster that doesn't care who/what it sucks in and hurts; it is just out to grow and profit at our expense/safety.
The burden of staying SAFE should not be dumped on the Fen's shoulders! Fanlore's very description of purpose and ethics claim that they understand the sensitive nature of fen's ID and connection of that with their work. Fanlore should be PRO-ACTIVELY following as default, a policy that RESPECTS the fen their wiki is about... DO NOT LINK TO ARCHIVES THAT IGNORE ROBOTS.TXTs! DO NOT ARCHIVE MATERIAL IF THE SITE HAS A 'DO
If you took your work down and find it is now public in Archive.org, archive.is, webcite etc, check Fanlore as well. Remove any links that are to illegal copies, on the 'talk' page explain your purpose for doing so and that you are sending Take Down notices to those locations. Sadly, as was I, you may find yourself and/or your pages blocked/locked and being told to go talk to staff like this is some kind of petty text-edit war (Yes, my protecting my copyright and personal safety was labelled by Fanlore as a petty 'Counter-productive edit war....'! Even IGNORING this issue of respecting rights and safety, all I did was remove links that would, due to my Take Down Notices be dead within hours-IRONICALLY had I removed the links as soon as they rotted, it would simply be seen as 'clean up', but because I explained on the talk page that this was violating our rights/safety, It was used to attack me instead.).
I don't have the spoons for figuring out who at Fanlore to direct the issue to atm, and given the way people there with the powers to lock/block/etc treated me, I have NO TRUST and NO FAITH in an organisation that treats the people they are profitting off of as shit. What with my health, bugland's health, my grandmother's health, issues with the county violating ADA law, and now, dealing with a bunch of "we don't need to follow the law" Archives and Fanlore taking advantage of that.... I really hate to think of the stress someone would be under if desperately trying to hide the chan they thought they took offline, and is now publically archived and made easy to find via fanlore, for fear of an Ex using it to take their kids away.
If others try to deal with them, I'd be interested to know what if anything worked, who you had to contact, how you had to phrase things to get yourself protected, and/or if they came to their senses and changed their policies to respect fen and their needs. I hope to see change, but I'm not going to hold my breath.
Киев в +30°C вымирает напрочь. Или прячется. Надо бы поискать, где.
Titel: Tamar (op Hebban.nl, op Goodreads)
Auteur: Monique Hoolt
Soort uitgave: paperback
Aantal pagina's: 217
Uitgever: Futuro Uitgevers
Jaar van publicatie: origineel 2017, mijn editie 2017 (1e editie)
Trefwoorden: Tweede Wereldoorlog, overleven, Nederland, Jodenvervolging
Waarom ging ik het lezen: Voor Hebban - het klonk als een interessant boek.
Halverwege de Tweede Wereldoorlog komt een vrouw met baby de straat van Antonia inrennen, op de vlucht voor Duitse soldaten. Ze geeft de baby aan Antonia voordat de Duitsers het doorhebben, maar wordt zelf opgepakt. De baby heet Tamar en ze komt uit een Joods gezin. Antonia en haar man besluiten echter wel voor de baby te zorgen, totdat haar familie na de oorlog weer terug zal komen om haar op te halen.
Oktober 1943. Tamar is negen maanden oud als haar moeder, op de vlucht voor Duitse soldaten, haar in de armen van een onbekende vrouw duwt. Het Joodse meisje groeit op in een pleeggezin en krijgt te maken met alle gevaren die de Tweede Wereldoorlog met zich meebrengt, van verraad en NSB'ers tot bombardementen.
Tamar is een verhaal over het maken van morele keuzes in oorlogstijd en wordt door drie vrouwen verteld. Machteloze kleine mensen zoeken naar verklaringen om iets gruwelijks te begrijpen, het politieke drama is gevat in een ontroerend en meeslepend verhaal. Hoe overleef je een oorlog als je niemand kunt vertrouwen?
Over de achterkanttekst:
Waarom een komma tussen "begrijpen" en "het politieke drama"..?
Met haar armen over elkaar gevouwen staat Antonia in de deuropening van haar huis. De stoeptegels in de verlaten straat glanzen donkergrijs door de plensbui van zonet. Uit de platanen dwarrelen gele bladeren, een windvlaag blaast ze voort door de goot. Een rilling kruipt over haar rug, Antonia trekt haar wollen vest dichter om zich heen. Waar blijven de jongens? Waarschijnlijk zijn ze aan het voetballen met hun vrienden en de tijd weer eens vergeten. In gedachten ziet ze Johan en Willem naar huis draven. Ze is blij dat haar zoons ondanks de huidige omstandigheden zo onbezorgd kunnen spelen.
Het debuut van Monique Hoolt gaat niet zomaar over de Tweede Wereldoorlog. Het speelt zich af in haar geboorteplaats Hengelo, in de wijk Tuindorp 't Lansink. Van haar grootouders hoorde ze verhalen waar ze erg van onder de indruk was en veel hiervan heeft ze ook in dit boek verwerkt. Haar grootvader werkte bijvoorbeeld bij de NS en moest ook onderduiken toen de Spoorwegen staakten. Als tiener was Hoolt al geïnteresseerd in de keuzes die mensen in oorlogstijd maken en dit komt ook duidelijk naar voren in haar debuut.
De eerste helft van het boek beslaat de oorlogsjaren 1943-1945. In dit deel leer je Antonia kennen, die haar gezin zo goed mogelijk probeert de oorlog te laten overleven. Ze wonen in het oosten van Nederland, waar het al iets makkelijker is om aan eten te komen, maar ook daar merken ze duidelijk dat het oorlog is. Ook wordt beschreven wat er gebeurt met Tamars familieleden, die naar een concentratiekamp worden gebracht. Tamar zelf is gelukkig zo jong dat ze niet doorheeft dat het oorlog is.
Het tweede gedeelte gaat over 1945-1947, wat er na de oorlog gebeurt. Een tante van Tamar, Anna, keert terug om Tamar op te halen, maar na zo'n lange tijd in een concentratiekamp moet ze wel wennen aan het zorgen voor een klein kind. In het korte derde deel, 1965, wordt beschreven wat Tamar in de tussentijd heeft gedaan en ontdekt ze nog een aantal dingen die tijdens de oorlog zijn gebeurd, om de openstaande vragen uit het verhaal compleet te maken.
Monique Hoolt (1965) probeert alle kanten van de oorlog te belichten: hoe een gewone familie in het oosten van het land het heeft, hoe het gaat met de verzetsstrijders, hoe het gaat met een familie die zich bij de NSB heeft aangesloten, hoe het gaat met een Joods gezin dat richting de concentratiekampen wordt gestuurd, en hoe het gaat met de Joodse onderduikers. Ze slaagt er wel in om alle kanten te bespreken, maar er zit toch een duidelijk oordeel in: de NSBers hadden niet met de Duitsers mee moeten werken, verzet is goed en Jodenvervolging is slecht. De hoofdpersonen zelf zijn vooral bezig met overleven. Gruweldaden die mensen in de oorlog begaan worden bijna terloops beschreven, zoals het maken van lampenkappen van mensenhuiden, waardoor het allemaal eigenlijk nog net iets erger wordt. Toch is het geen "overvol" verhaal, omdat het eerste deel vooral verteld wordt vanuit het oogpunt van Antonia met af en toe een hoofdstuk van Anna, één van de Joodse kinderen uit het gezin dat naar een concentratiekamp wordt gedeporteerd. Daardoorheb je als lezer een rustig uitgangspunt voor het verhaal. Het tweede deel is beschreven vanuit Anna's perspectief, maar op de momenten dat ze bij Antonia is, is het soms niet altijd duidelijk of iets nu door Anna of Antonia gezegd wordt. Het derde deel beschrijft dan weer Tamars ervaringen en gedachten.
Ook wordt duidelijk welke invloed de oorlog op mensen heeft. Zelfs Tamar, die de oorlog niet bewust heeft meegemaakt, krijgt er veel van mee als ze ouder wordt, doordat haar moeder en tante in een concentratiekamp hebben gezeten. Wel wordt duidelijk dat het alledaagse leven, het overleven, gewoon doorgaat, ook al vallen alle zekerheden weg door de oorlog. Je moet toch eten en daarvoor moet er geld verdiend worden. Hoe dat geld verdiend wordt, is echter niet altijd op een manier die mensen buiten oorlogstijd (moreel) acceptabel zouden vinden.
Opvallend is dat het verhaal in de tegenwoordige tijd is geschreven, met af en toe een uitstapje naar de verleden tijd als er over voorbije gebeurtenissen gesproken wordt.
Wel zijn er veel zinnen waarbij de komma gebruikt wordt als een soort punt, zoals: "In een tobbe in de hoek van de keuken schrobt Antonia met een borstel over de kleding op het houten wasbord, er komt een lucht omhoog van groene zeep." Hierdoor klinken de zinnen korter dan dat ze eigenlijk zijn.
Tamar is een debuutroman die goed laat zien hoe het is om te leven in een bezet land, waarin je niet meer vrij bent om alles te doen en zeggen wat je wil. Er zijn tegenwoordig steeds minder mensen die uit eigen ervaring kunnen vertellen over de Tweede Wereldoorlog, dus dan is het lezen van een boek als dit een zeer toegankelijke manier om met deze verhalen kennis te maken.
Het is niet zozeer een boek om zelf te herlezen, maar juist een boek om door te geven aan andere mensen.
- Deze recensie op Hebban.nl
- Deze recensie op Goodreads.
- Oorlogswinter van Jan Terlouw.
Monday night was my regular biweekly rpg night- we're questing in the Crimea for a lost Eastern Orthodox monastery rumored to have a mystical weapon capable of holding back the apocalypse. My favorite dialogue exchange of the night.
Me: We're searching for the daggers.
NPC Priest: So you're... treasure hunters?
Me: Well... technically, I guess. But we're ethical treasure hunters. We believe in catch and release!
The session ended on a cliffhanger with the sword wielding cultist lackey about to detonate a dynamite vest just outside the entrance to the monastery.
Later in the week, I'm supposed to get a drink with the daughter of one of my father's co-workers. My father didn't exactly do a great job selling the shidduch. It's better than the time all I was furnished was my potential date's height, but I'm not entirely sure on what basis my dad thinks we'll be compatible other than his desire for grandchildren. But whatever, I'm at the point where I'll consider any suggestion if it seems to come from a well-meaning place. There's little harm in going out for a drink.
And next week gets exciting. I fly to Chicago for Vividcon a week from Thursday. I'll be modding a panel on vidding jazz music, premiering a vid, and looking forward to lots of fun hanging out. Sunday I fly Chicago->New York->Amsterdam->Helsinki and then I'll have a couple days of exploring the city on my own before Worldcon. I don't really know what I'm going to be doing at Worldcon other than the usual, I haven't really given it much thought. I skimmed the panels but didn't see anything all that exciting. I'm sure there'll be entertaining things to do and the Hugos should be a blast, but mostly I'm going to Worldcon because I'm excited about Helsinki and because it's a place I go just to hang out with SF fans from all over the world. My parents don't understand this. My mother, whose ideas about cons all come from TV, grills me about whether I'm going to be wearing a costume, and which famous people I'm going to see, and seems disappointed when I tell her it's mostly just about hanging out and talking scifi. But whatever.
I'm also hoping at Vividcon to pass out discs for Vid Roulette. A while back at Dollar Tree there were a bunch of DVD multipacks on sale for a dollar a piece and I bought three or four. Each multipack has several DVDs in it and each disc has several movies, and most of the movies look terrible. I feel like it could be fun to randomly distribute the DVDs to vidders, sight unseen, and see what vid they can make from their randomly assigned disc. Hopefully I'll get participation for that.
I've made some progress on reorganizing the kids' bedrooms. I had originally considered moving both bookshelves into Connor's room, but now I'm thinking a better use of space would be to leave Will's shelves intact and figure out some new clothing storage. Right now, most of Connor's clothes are stored in Will's room in their old changing table, and Will's shirts and jeans are in stacks on the floor. Some lightweight, relatively narrow storage shelves might be a good solution in both rooms.
I was inspired to start yet another knitting project following a conversation with my mother-in-law last week. I had read about Moebius strip scarves but hadn't tried making one until now. They're surprisingly fun!
I've also successfully cleaned out the worst of my email inbox and cleared some space on the DVR. Breathing room is good.
Today we're going to go see what's new at the McWane Center, since we haven't been all summer.
Read Ann Leckie's Provenance (in ARC. It's coming out on the 26th of September.) Spider mech, spider mech, does whatever a spider mech does. (Disconcert people, mainly.) This is in the same universe as the Radch trilogy, but in a different region and with different characters, voice, and tone. I have some friends who couldn't get into Ancillary Justice, wanted to like it but found it too hard going, and I would be curious if this one worked better as an entry point for them.
Leckie's repeatedly cited Cherryh as an influence, and if you think of the universe the Ancillary books are set in as like Cherryh's Alliance/Union universe, a big canvas covering a lot of territory in time as well as space, then this book in relation to its universe is a bit like a railway junction. It opens some new routes, introduces some new important players, but the most important universe-scale historical events (as opposed to system-scale or planet-scale or individuals) are offstage.
To say more about voice and tone: the Radch books are in first person, and that person is Breq, who is... Breq. Over two thousand years old, and even if you consider the destruction of Justice of Toren as a kind of rebirth, by the point we meet her she's a hypercompetent badass who's been surviving on her own in her single body for nineteen years. Also she's not a human, so there's that.
Ingray isn't Breq. She's very much human (and has an entirely reasonable terror of AIs,) a lot younger (I don't think her exact age is stated, but early twenties would be my guess,) and infinitely less sure of herself. She's also spent her entire life to date having her head messed with by her shitty family. My first two impressions, right from the first three chapters of this book, were: one, you can really tell the author was spending a lot of time in airports when she wrote this; and two, Ingray has the sort of family life where the closer your geographic proximity to your relatives, the more difficulty you have with being a decent person. The rest of this book bore this out (I mean the family, although there were definitely more airport-equivalent scenes too.)
If you're one of the people who disliked Breq because she was "too perfect" (I disagree with you about her being perfect, but) you might find Ingray and her smaller scale problems (compared to entire empires and species) more relatable.
If the Radch trilogy is about personhood and the fight to be recognised as a person when you don't fit a society's definition of who counts as a person, then Provenance about growing into oneself not as a person (that was never in question for Ingray) but as an adult (a coming of age that, by contrast, Breq never had the luxury of needing.) And if the Radch trilogy is about resisting societal/systemic forces, Provenance is about resisting social, personal pressures (family and peers.)
Finished Aliette de Bodard's The House of Binding Thorns. And after this and Provenance I'd like a short break from books about difficult family situations, please! I liked this better than The House of Shattered Wings, but the tone was still bleaker than I usually go for. Characters I particularly liked: Madeleine, back from the previous book; Thuan the dragon prince, and Berith and Francoise the Fallen/human couple trying to manage outside the Houses. Grandmother Olympe, the elder of the community where Berith and Francoise live, was also pretty great. And I warmed more to Asmodeus than I did in the first book.
Unfortunately, I think I'm the wrong audience for this. The things The House of Shattered Wings and The House of Binding Thorns do well (decayed elegance, gothicism, Paris, fallen angels), they do really well, but they're not things I particularly love (I don't dislike them, they're just not my catnip.) So, like, I can't actually rave about these books, but I do want to wave them really hard at people who do love those things.
Some zines I ordered from Rooster Tails's Etsy store showed up, and he kind of threw in a bunch of queer fanart glossy note cards (maybe to make up for a delay, idk, I'm not complaining!) and they're so beautiful and I didn't know I needed a picture of Daria holding Jane's hand and saying "I hate you the least," or adorably cartoony Finn smooching Poe, or cartoony Gabrielle climbing Xena like a tree, but I definitely did need those things. Now I'm trying to decide whether to keep or send to people.
The zines are #my gender is..., three tiny A6 cardbound volumes made in response to answers people gave the author when he asked people to fill in the blank.
Mainlined 17776, which is web based multimedia rather than comics, but I'm putting it in this category because what everyone's comparing it to is Homestuck. It's about satellites watching football in an unimaginably future, but also post-scarcity/post-singularity anxiety and Millennialism (as in epochs, as well as as in snake people) and play as the ultimate point of human existance, and it's funny and elegiac and cool and reminds me of David Foster Wallace in some ways.
That said, it is worth talking about who's at the centre of this narrative. No, not robots. No, not humans. Americans. White, suburban, minivan-driving, 80s-and-90s-born Americans. So conflated with the essential nature of humanity that they don't even notice they're doing it. Even the probes are two American probes and one European (but not Russian) one. I mean, Mangalyan does exist, you know? And so does Chang'e 2 and Kirari. And Libertad I and Fajr and... I mean, not all of those are still in space, or left Earth's orbit, but they could. Not to mention that it's science fiction and at the present date JUICE is still in development, why not a future Ghanaian or Iranian satellite mission? Which is not even my point, my point is that the regressive fantasy that the humans fall back into when faced with the crushing boredom of their eternal lives is... the 1960s and 1970s but without the race riots or Stonewall or Watergate.
It's still a good story/multimedia work/thing, and I still enjoyed it. I just... that particular nostalgic fantasy makes me very tired sometimes. And no, not tired in a way that makes me want to give up on the weary work of human endeavour/struggle/progress to take refuge in looking back down at the things that are really important to us/humanity, i.e. a sport which people in my country don't play.
TV and Movies
Watched the first episode of Black Sails. Was unimpressed. I hear it gets better, though. Flint's fury at the stolen log page reminded me of this.
Gave my sister the Hamilton soundtrack for Christmas last year or her birthday this year (I forget which -- my gift-giving punctuality standards are seriously slipping at the moment.) Success: she's hooked. Very hooked.
Third week of hexarchate_rpg. So far haven't panicked and run away yet (me, not my character) so that's good.
Still playing Binding of Isaac. In one especially good run, I met Isaac's mother for the first time, and defeated her! Which meant that, next time I got to that level, defeating her led to having to climb into her womb and fight more monsters there. Which... is definitely a narrative choice a person could make.
Started playing Hexcells, a puzzle game; not to be confused with Hexels, a different puzzle game. The latter is like 2048 but in three directions not two; the former is kind of like a griddler/nonogram, but in three directions and its own specific language of clues. Played all the way through Hexcells, then started Hexcells Plus. Got the Perfectionist achievement for the original Hexcells. Then Hexcells Plus. Then started Hexcells Infinite, and am at 90% of that.
The problem with me and Hexcells is not the logic. I'm not super great at the logic, but with time and effort and occasional appeals to online walkthroughs I can succeed (usually by speaking the chain of logic out loud over and over because I can't hold the branches in my head long enough otherwise.) The problem is that that one of the achievements is to do all the games with zero (or only one) mistakes, and the way my brain works (or the way my working memory doesn't work) it's very easy for me to make one stupid error too many and ruin an hour of work. Which is really frustrating and upsetting. At least Hexcells Infinite lets you save your progress. The first two games didn't, so if you need a break before finishing the level, you have to leave the app open.
The compost bin is full. That took about three months to fill a 220L bin. I had to look up what one does once the bin's full. Leave it to cure for a month or so while starting a new bin, apparently. Or alternatively, lift the bin off the compost (it doesn't have a bottom) and set it down next to the compost, shovel whatever still looks like vegetable peelings and cat litter back into the bin, and use whatever just looks like soil to grow things. (But not herbs and vegetables, because this is cat litter compost, so it's contaminated with toxoplasmosis. This compost can nourish pretty flowers and Native Plants To Encourage Local Species.)
Baked scones. Also tried out a couple of recipes from my long backlog of bookmarked Recipes To Try Someday:
- Jack Monroe's Queen of Hearts jam tarts recipe. Not too bad given how seldom I make pastry. If you have fifty grams of butter and a scant cup of plain flour and some jam, this is an okay thing to do with those ingredients, but the scones were better.
- AoM Bratwurst Sandwich. This contains one thing I eat normally (mustard), one thing I've had decades ago but haven't cooked with (bratwurst), and two things I hadn't had before (sauerkraut, pumpernickel.) The bratwurst and mustard and sauerkraut were good. The pumpernickel... yeah, no, next time I make this I'll just use a dark rye.
I could have adapted to the flavour, but its lack of structural integrity meant that according to the Earl of Sandwich litmus test this is not even a sandwich. (i.e. "I pretend I am the original Earl of Sandwich. I have asked for non-bread foods to be brought to me inside bread, that I might more easily consume them one-handed while gambling. This does not enable my wretched regency habits. This is not what I asked for. I do not deign to grace it with the name of my house.")
This would fall apart in his hand, scattering boiled rye grains all over his elaborate necktie and playing cards.
Admittedly, the degree of difficulty was higher for me since I had to eat it one-handed while fending off a very interested black and white cat with the other hand.
Broke my daily meditation streak at 219 days. Very pissed off about it, in a not zen at all way. The last time this happened it was at 149 days. Forming habits is hard for me. (This is not a request for reassurance or advice. Especially not advice.) Took four days off meditating out of pique.
Have been fighting a lot these last few days. At first I thought Beatrice was the main instigator, but last night while she was aggressively licking Dorian, I saw him nip her.
He hasn't learned to lift the toilet lid yet, but it's hard for me to remember to leave it down since my already established habit was to close the door but leave the lid up.
ETA: I made a nother post that you can link to; please do as you may have people on your Friends/reading list whose safety, wishes, legal rights may have been violated and it includes info on some of what they can do about it. http://alchemia.dreamwidth.org/304207.
I've just lost almost all respect for Fanlore and the WayBackMachine. Especially Fanlore- they at least should have the common sense to know that fen who work with certain subjects or live in certain countries, have personal safety issues that should come before a 'must archive everything just in case link rot, so we can grow our website, is the most important thing before the safety/wishes/rights of the people our site is about' Talk about being exploitive!
And other so-called archival sites that consider themselves not just above robots.txt, but ignore copyright law and TakeDown notices- words cannot express what I wish upon their creators, and the people that use them to violate the wishes and legal rights of other people.
I am absolutely exhausted at the moment because the fucking 'war on drugs' caused our dr to have to, understandably, to not loose their license, have a 3 day wait period between when we are are used to picking up our fentynal, and when we actually COULD pick it up this time. So we spent 3 agonising days in cold turkey withdrawal from 100mcg/48hr. I got clonidine to help with the worst of it, but it made it so I couldn't even stand up without passing out so I had to crawl everywhere. When we finally got our meds, I ended up in withdrawal from the clonodine- which basically meant that I couldn't fucking sleep for almost a whole week straight.
So you want to know more about my hate for Fanlore and Archive.Org, you can read the genesis of my thoughts here:
Link direct to my reply. Yes I also am concerned about 'link rot'. On sites where link rot is an actual issue (eg due to the LJ migrations with all the meta over thre) but FFS, link rot doesn't take precedent over that of the safety/prefrences of the fen. Maybe some of them would even have locked those pages but lost access to the accounts, or left fandom and have no clue what they thought would stay on LJ is suddenly getting archived to a dozen different places that they would not want. I outline one possible solution to respect fen identitiy while preserving pages.
(my comment about 4 or 5 down) Disgust with Archive.Org (wayback machine) to after all these years, just BAM stop respecting robots.txt and make tons of stuff public. I just had to send them Take Down Notices forTENS OF THOUSANDS of pages/images (mostly personal, hobby and business sites; only intertexius is fannish)
(I removed only the archived links for Intertexius , no others, as its up to LJ etc if they will permit archival of public pages. But it does make me think I'll be using the 'lock' feature a lot more in the future. Might have some great discussions, and historically I've been of the mind that I welcomed public reading, but I do NOT welcome public copying to where-ever without my knowledge/permission.( Read more... )
--I had these notions of finishing a fic for this round of smallfandomfest, but it wraps up at the end of this month, so...ha ha ha no. ^^; But hey, I got it started and made some actual progress during nanodownunder, and unfilled smallfandomfest prompts remain available for claiming past the round when they're prompted, so it's not like I won't have another chance. I just liked the idea of doing it now.
--I haven't taken pictures yet, but when we were out watering the garden a couple of days ago, there were the beginnings of blossoms on one of the two clematis plants!
--Amidst all the political awfulness, personal stuff, cute gifs, and book-blogger chat, my Twitter feed has been full of people being gleeful about "Dream Daddy: A Dad Dating Simulator"--enough so that I briefly pretended I don't have something like 100 unplayed games and can't remember the last time I played anything and went to check it out. I was saved by an impulse buy by the fact that the game's currently Windows- and Mac-only; I do still have a Windows partition for games, but realistically, I also can't remember the last time I booted into it for anything but StarCraft. (And that wasn't terribly recently. I did buy at least the first of the SCII Nova mission packs, but I don't remember how far I got.) (Separate parenthetical: I've preordered the remastered original StarCraft, so for that, booting into Windows will undoubtedly happen. Unless it magically runs under WINE.)
--I need to keep reminding myself that Rogue One is on Netflix until I finally watch it (having literally slept through most of it in the theatre, which was not the movie's fault!). I should also rewatch TFA sometime in the next few months.
--It turns out Black Sails is shorter than I'd been thinking in two ways: I'd somehow had the impression it's five seasons, not four, and I also hadn't realized the seasons are so short (eight to ten episodes each, I think?). All of a sudden bumping it up to basically the top of my to-watch list (which seems to be a good plan, judging from how many people I know are in love with the show) is a way less daunting prospect.
Via sgamadison, an update on Stargate Origins: be aware that the new digital episodes are only going to be ten minutes each.
"A Woman, Explaining Things". [Sarah Gailey on the casting of the thirteenth Doctor]
"Towards a Definition of “Fanfiction”: 3,564 people took our survey. Here’s what we learned". [Fansplaining]
"Does God exist in the Marvel Universe?" [Salon]
"Akiko Higashimura's Princess Jellyfish Manga Ends on August 25". [ANN]
"Radical Cartography" is...hard for me to describe. Very cool things with maps...and stuff...?
"All of my work on the “Irish slaves” meme (2015–’16)". In case you ever need to debunk the "but the Irish were slaves too!" crap that some flavors of racists like to whip out.
"Gratitude for Invisible Systems: One way to improve democracy is for more people to appreciate its complex technological underpinnings".
"My Father Spent 30 Years In Prison. Now He's Out". This is lovely and heartbreaking.
"Updated Syllabus for Journalism 101". [McSweeney's]
"This Is How Tough It Can Actually Be To Follow High School Prom Dress Codes". [Buzzfeed]
Via bell, "When Your Teacher Keeps Saying You Can’t Draw Cats, But Your Paintings Are Photorealistic".
"Make a Magical Carpet Cat Hammock With an Old Towel".
"This Guy Spent A Year Exploring The Subculture Of Competitive Punning".
"How to Fall Down". [Lifehacker]
"Sapphic Stories || Around the world". "Sapphic Stories – Around the world does not intend to be a rec list that is ultimate and finalized, but just the beginning of a search for more pluralized stories. There are many other stories out there that we need to look for. Still, I believe that this post could be a nice start so that people can recognize these stories set in the places they grew up in or to know more about what it means to be sapphic in other places. This list contains F/F fiction books, books that have at least one women who feel romantic/sexual attraction to women, short stories, anthologies, and nonfiction about how it is to be LGBT+ in some places of the world."
"tim walker photographs all black cast for alice in wonderland themed pirelli calendar".
Via dine, "Superb Cut Paper Artworks by Pippa Dyrlaga".